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Architect Tetsuo Kondo designed ‘A Path in the Forest’, a temporary installation that was found in the Kadriorg Park near Tallinn, Estonia. Kondo created a 95-meter (311-foot) walkway suspended among some of the park’s 300 year-old trees.

 

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Maybe its the hippy in me, or perhaps its my lifelong love of fluro but this to me is a perfect piece of land art (…can it be land art if its painted fluro??). Visible across the desert from Las Vegas, Nevada, and standing at a height of thirty to thirty five foot, are seven large scale totems built from balanced, painted, locally-sourced boulders.

Created by renowned Swiss artist Ugo Rondinone’s public artwork Seven Magic Mountains is an exhibition that will run for two years. This work sits actually and symbolically mid way between the natural and the artificial, between the mountains and the buzz of Las Vegas.

I only once planned to go to Las Vegas, with the crackpot idea that I would marry one of my best friends. Silly, of course, and thankfully we thought better of it in the cold light of day, however perhaps I could take the very same friend to visit this glorious work of art.

Or, perhaps there is a client brave enough, who would let me take this as inspiration for an stand out garden sculpture… come on client, show yourself!

Images from the Seven Magic Mountains website. These artworks were sponsored by The Nevada Museum of Art  and The Art Production Fund.

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I have been lucky enough to experience Rebecca Louise Law’s wonderful floral artworks at The Chelsea Flower show. She hangs flowers from copper wires on the ceiling of a tunnel making a suspended garden above visitors heads, they are simply enchanting all who walk under them.

Here are a few images of pieces from her website. They really are quite spectacular and I seriously covet the display glasses filled with masses of floral fodder.

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Better known for his fashion and still life photography, Phillippe Jarrigeon fell in love with the gardens at Château de Marqueyssac whilst location scouting and captured these enchanting images for Pin Up magazine.

Insanely surreal and appealing to the child, adult and mad hatter in all of us.

philippejarrigeon.com

pinupmagazine.org

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This period property which is based in the Primrose Hill conservation area, was built in the mid 1800’s. Part of Chalcot Square, it had a long, overgrown and rather dense garden.

The build was completed in the summer of 2014, the original London yellow brick garden walls were freed from a heavy blanket of dark Ivy. Smooth modern cut sandstone paving adds a level of refinement to the patio area around the house and a lower level parterre is paved with coarse red brick and ornate edging. At night the garden is lit, offering views which extend the feeling of space from the house.

The planting consists of gravel beds with relaxed perennials in shades of pink, blue and white. These are set off by edges of formal clipped box, which add formality and balance the design. Climbers were chosen to creep over the walls and will give off heady scents all year round.

The new terrace is designed for entertaining and the seating area offers a place to relax and look out towards the garden. Beautiful large jars and sculptures decorate the garden and draw the eye through it.

Primrose Hill garden

Primrose Hill garden

Beautiful Astrantia and  Stipa Tenuissima grass, planted in gravel. Primrose Hill garden

Beautiful Astrantia and Stipa Tenuissima grass, planted in gravel.
Primrose Hill garden

Primrose Hill garden

Primrose Hill garden

Primrose Hill garden

Primrose Hill garden

Primrose Hill garden

Primrose Hill garden

Primrose Hill garden

Primrose Hill garden

Astrantia and  Stipa Tenuissima. Primrose Hill garden

Astrantia and Stipa Tenuissima. Primrose Hill garden

Colours

Colours

Sculpture can be so important in an outdoor space; it creates focus, intensifies the sense of place and relates to the vegetation, light and the seasonality of a garden.

We also love it when sculptures are used as physical punctuation; at the end of a long view, they become a full stop, or a comma as they lead onto another space or another sculpture.

We love the work of Charlotte Mayer, a Goldsmiths graduate. One of her pieces ‘The Thornflower’ commemorates the death of her grandmother in Treblinka at the hands of the Nazis, but at the same time represents the hope of reconciliation. Her work has wonderful movement and would enchant and enhance the right space.

More information on Charlotte can be found on The Garden Gallery’s website, amongst many other talented artists.

The Thornflower

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